Dimorestudio Part 2 | Hemispheres Collection & Work it at Fondazione Sozzani at Milan Design week 2025
Welcome back at the blog! Yesterday I showed you the first two locations of this year’s Dimore studio collaborations during Milan Design week, and today I take you to the atelier of Osanna Visconti where Dimore Studio and Japanese company HOSOO showed their collection. We also visited Work it at Fondazione Sozzani, a great get together with Dimorestudio. Have a look at my Instagram account or search the blog under Milan Design Week 2025 for all Milan Design week highlights. In the blog section you find the search bar at the bottem of the site!
Hemispheres Collection
At Osanna Visconti’s atelier, HOSOO and Dimorestudio came together to present the new Hemispheres textile collection. Known for their refined design language, Dimorestudio reinterpreted centuries old Japanese motifs into a calm, poetic series of fabrics. Filled with bronze works by Osanna Visconti herself a beautifully theatrical environment was created.
The Hemispheres Collection is rooted in the heritage of the HOSOO family, who have preserved over 20,000 original obi patterns across generations. These once uncolored sketches are now brought to life through muted, sophisticated tones forming a new kind of textile language. Nature is a strong theme throughout, with patterns inspired by bamboo, flowers, and organic movement.Three creative forces came together at the atelier: Japanese craftsmanship, Italian design, and bronze artistry
Dimorestudio – Work it at Fondazione Sozzani
This year, for the first time, Dimorestudio stepped outside its iconic Via Solferino space, bringing their creative world to life in a new location: the Fondazione Sozzani on Via Bovisasca. Instead of showing finished interiors, WORK IT offered something more intimate—a look inside the studio’s process, from early inspiration to final design. It was less of a classic presentation, and more of an atmospheric studio diary turned into a full-scale installation.
Walking through the space felt like stepping into a giant, 3D moodboard—not just pretty materials and color palettes, but actual desks, sketches, textures, and pieces mid-creation. Every surface carried a thought, a reference, or a memory.
Set inside Fondazione Sozzani, a cultural space known for supporting cross-disciplinary creative work, WORK IT felt right at home. It reminded me that what we see during Design Week is often the result of months (or years) of silent, searching, hands-on work. This was an invitation to witness that part of the journey. ‘Funny enough’ it also felt like stepping into 10 Corso Como at some parts, some of the decor was unmistakably the Corso Como vibe.
Images ©vosgesparis
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